24-Storied Careers: Gaining a footing in landslide science

How do you study something that’s constantly shifting? That’s the challenge that USGS geologist Richard Iverson faced when he began his career in landslide research. He and his team developed a first-of-its-kind experimental facility to study how landslides happen, in order to better understand and prepare for them.

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19-Storied careers: What you didn’t learn in (geo)science class

In the past couple of decades, Earth and space science education for K-12 has evolved significantly, much due to the work of geologist, educator, and writer, Michael Wysession. This is a time where the science education we receive plays a big role in our response to climate change; an adaptive and engaging curriculum, beyond the usual textbook, is paramount – and way more fun!

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16-Ice: Shells of an ice-less past

Brian Huber is a climate detective at the Smithsonian who grew up collecting arrowheads in the woods of Ohio, but now collects and studies fossils from sediment cores. Brian uses fossils of tiny organisms − foraminifera − to track climate over millions of years, including the Cretaceous Hot Greenhouse climate.

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11-Extinctions: Oddballs of the Triassic

Hans Sues is a fossil guy at the Smithsonian. Born in Germany, he has been all over the world finding and interpreting fossils for more than 40 years. His focus is on vertebrates – both in his professional work and his personal attachment to cats.

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Staff Picks: Parking Lot Lava

In a parking lot behind the Comstock Art Facility at Syracuse University, geologist Jeff Karson and sculptor Bob Wysocki cook up something almost unimaginable – homemade lava. Using a gas furnace the size of a small truck, the two professors melt gravel typically used for roadbeds into hot molten rock that they pour onto sand to recreate natural lava flows seen in places like Hawaii, Iceland and Italy.

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Songs of the Arches (with Helicopters)

The wind that carved the sandstone of Arches National Park into spectacular arches and towers also plucks them, like giant guitar strings, making them ring at low frequencies. Geoscientist Riley Finnegan and her colleagues in the Geohazards research group at the University of Utah are recording these arch songs in the Park and around Utah with seismometers, the same basic technology geologists use to listen for earthquakes, to learn their characteristic vibration frequencies—and how human noise affects them.

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